INTERVIEW: FASHION DISORDER THROUGH TIMELESS DESIGN

Today, we are delighted to present an exclusive interview with Trisha Sherman, emerging designer and founder of Fashion Disorder label, who has quickly established a reputation for creating timeless and fashion-forward pieces that draw inspiration from the beauty found in everyday life. Trisha’s work transcends traditional fashion norms, as she skillfully combines innovative design with a deep understanding of the importance of individual expression in style.

 

 

Throughout her career, Trisha has developed a diverse array of collections that have evolved from conceptual ideas into stunning realities. Focusing on custom made-to-measure garments, every piece she creates is imbued with a sense of exclusivity and adaptability, empowering wearers to freely express their own unique and wonderful style. In her vision, fashion isn’t just about clothing; it’s about living in the present and using fashion as a tool for personal reinvention. As Trisha eloquently articulates, “Sometimes, no matter how together you feel, you hit a point in the season or in life where none of your clothes feel right.” This sentiment encapsulates her belief that clothing plays an essential role in navigating transitions in our lives. Each design serves not only as a garment but also as a means for individuals to reinvent themselves daily, making fashion an invaluable endeavor.

In conversation with Trisha Sherman, one quickly discovers a dynamic and insightful individual whose perspectives are both refreshing and engaging. As a prominent figure in her field, Trisha is known for her innovative approaches and her ability to inspire those around her. During our discussion, she shared her thoughts on the importance of adaptability in today’s rapidly changing world and the role of creativity in problem-solving. Trisha emphasized the value of continuous learning and the courage to embrace new challenges, qualities that have propelled her success. Her passion for fostering collaboration and empowering others was evident, as she detailed her efforts to create inclusive environments that nurture diverse talents. Engaging with Trisha Sherman is not just an enlightening experience but also a reminder of the power of perseverance and the impact one can have through dedication and a positive outlook.

Join us as we delve into the mind of Trisha Sherman to explore her creative process, the inspirations behind her collections, and her perspective on the evolving landscape of fashion in this enlightening discussion for Trend Privé Magazine:

Trisha, your journey began in Midland, Texas, and has taken you to influential fashion capitals like Los Angeles, New York, and Paris. Can you share how your upbringing in Midland has shaped your design philosophy and personal style? What experiences from your early life do you believe led you to pursue a career in fashion?

For the most part, living in slow-moving Midland, Texas meant that exposure to fashion was only through local malls, but my earliest inspiration came from Mom. I watched her hand-sew her scrubs-a biscuit tin full of supplies sparked off my curiosity. Years passed, I learned the detailed construction of my clothes by unzipping seams backwards and eventually even made outfits for my Barbie dolls. As I grew older, I worked in retail and even became a personal shopper. My customers would ask me to help them get ready for this event or that, so I would dress them accordingly–and looking after their wardrobe became one thing along from there. This developed into making clothes by hand for local events and also for Halloween, marking the start of my trip into fashion designing.

Under your label, FashionDisorder, you combine avant-garde elements with ready-to-wear garments. How do you approach the creative process when merging these different styles? Can you walk us through the steps you take from conceptualizing a piece to its final execution?

Honestly I like creating statement pieces. Most of the things I create are conversation pieces. I still wanted people to wear something I made and pairing a couture piece with ready to wear was my balance.

Your commitment to limited one-time production pieces speaks volumes about your stance against fast fashion. What motivated you to adopt this model, and how do you believe it can influence the larger fashion industry’s approach to sustainability?

Working in retail I saw first hand waisted garments that would be damaged at staff hands if it was a return that was no longer able to be resold. With the knowledge of what I know now as an adult I know that happened once a garment is damaged. It is just like the overflow of plastic in landfills or in the ocean. We are responsible for the care of our world and responsible for properly recycling and reducing waste. Pollution of any kind just isn’t cool.

FashionDisorder emphasizes the use of recycled materials. Can you elaborate on the specific materials you are drawn to and how you source them? How do you ensure the quality and aesthetic appeal of your garments while using recycled resources?

Most recyclable materials are materials I have purchased from thrifts. A huge bulk of materials I have were donated from a closing fashion school. Just like my blend for ready to wear and avant- guard the materials I use are a blend of old and new. My first overseas fashion show in Paris fashion week, I found a closing arts and craft store that tossed some faux flowers. I took those flowers and the Flora Gia collection from those discarded flowers.

Storytelling is an essential part of your brand, intertwining culture and personal narratives into your designs. Can you explain how you incorporate your experiences and the global influences you encounter into your collections? How do these stories translate visually in your work?

At FashionDisorder, storytelling isn’t an afterthought, it’s the foundation. Every collection is a reflection of who I am, where I’ve been, and the emotional and cultural frequencies I’ve absorbed along the way. As a designer, I treat each garment as a living archive, layered with identity, memory, and influence.

In the age of social media, platforms like Instagram have become a vital tool for designers. How has Instagram shaped the visibility and reach of FashionDisorder? Additionally, could you share specific instances where social media impacted your career or customer engagement?

Instagram has been instrumental in shaping the reach, identity, and evolution of FashionDisorder. It gave me the freedom to bypass traditional industry gatekeepers and connect directly with an audience that values bold, narrative-driven fashion. What once required showroom representation or editorial features can now unfold in real-time, on my terms, in my voice. Instagram has brought attention to Project Runway, and editorial opportunities.

Considering the rise of sustainability in the fashion industry, what do you envision for the future of FashionDisorder and sustainable fashion as a whole? What changes or innovations would you love to see within the fashion ecosystem moving forward?

We’ve seen an increase in material innovation in the last decade, I’d love to see more materials be more focused on designing for recycling. Having materials that simplify recycling, like simplified fibrous materials. More biodegradable fabrics. I think AI can be utilized in forecasting consumer behavior to reduce overproduction. This will help change production behavior and responsibility. I want to continue to be sustainable, I feel biodegradable materials will be more valuable and desirable in all areas of fashion the more people are educated on the severity of the problem.

 

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